Sincerely, Sarah

I wasn’t in the studio to hear them record their disgusting, misogynistic views on women in songs like “A Bitch Iz a Bitch,” “Findum, Fuckum & Flee,” “One Less Bitch,” and perhaps most offensively, “She Swallowed It.” (On that track, MC Ren brags about violating at 14-year-old girl: “Oh shit it’s the preacher’s daughter! / And she’s only 14 and a ho / But the bitch sucks dick like a specialized pro.”) I heard the material like everybody else, when I was listening to the albums, and I was shocked. Maybe that was their point. Maybe they said a lot of that stuff for the shock value. There were always other girls around, like Michel’le and Rose, and we never heard them talk like that. We never heard them say, “Bitch, get over here and suck my dick.” In their minds, only certain women were “like that,” and I’ve never presented myself like that, so I never gave them a reason to call me names.

Accurately articulating the frustrations of young black men being constantly harassed by the cops is at Straight Outta Compton’s activistic core. There is a direct connection between the oppression of black men and the violence perpetrated by black men against black women. It is a cycle of victimization and reenactment of violence that is rooted in racism and perpetuated by patriarchy. If the breadth of N.W.A.’s lyrical subject matter was guided by a certain logic, though, it was clearly a caustic logic.

It was so caustic that when Dre was trying to choke me on the floor of the women’s room in Po Na Na Souk, a thought flashed through my head: “Oh my god. He’s trying to kill me.” He had me trapped in that bathroom; he held the door closed with his leg. It was surreal. “Is this happening?” I thought.

— Here’s What’s Missing From Straight Outta Compton: Me and the Other Women Dr. Dre Beat Up by Dee Barnes (via babypinkacrylicnails)

(Source: wethoneydew, via futurewitchdoctor)